Grace Potter and the Nocturnals in Brooklyn 8/7/09

Add Grace Potter and the Nocturnals to that list of inspired bookings. Grace often gets unfairly gets lumped in as a“jam band," but that unfortunate labeling didn't deter Brooklyn's hipsters who knew better. Potter may frequent jam fests, but she substitutes soul passion for mindless guitar noodling. When she begins playing a song, she knows where it's going, and directs it there with enthusiasm.
First on the bill were local boys Jones Street Station. Like The Band at their most rocking (think “Chest Fever”) this five piece blasted through alt-country folk-rock tunes like Grateful Dead album cuts. One of the two main singers sported a harmonica tool belt, whipping out a different keyed harp for each song, either jamming in the background or wailing in the fore depending on the song. His soulful croon pushed

A local band with a national following, Deer Tick followed Jones St. with some their own so-called “alt-country.” Dennis Ryan walked on the dark stage first, laying into a furious drum solo that managed to keep a strong rhythm underneath the flailing fills.

Early in the set he mentioned many special treats, and he started the guest appearances early with Liz Eidenberg coming out to duet on their ghostly “Friday the 13th.” The goth-country tune galloped like a horseman of the apocalypse, providing a joyful darkness over the otherwise light proceedings. Chris Denny soon followed for a “Dead Flowers” Rolling Stones cover, his yodeling warble betraying his Arkansas roots as his mid-verse guitar riffs showed he’d studied his Dire Straits well.

After an unexplained appearance by Senator Chuck Schumer, hot off his success getting Sonia Sotomayer appointed, the Nocturnals walked on the rose-covered stage. They started laying down a rock groove when Grace herself walked on, shaking a tambourine and dancing around the stage as she went into “Some Kind of Ride.”

The band behind Potter kept up remarkably. If they ever lose her, a “The Nocturnals” show would be well worth seeing by itself. Both tight and loose at the same time, the four people behind her were having a blast but playing like true professionals. Scott Tournet’s frequent guitar solos on songs like “Stop the Bus” always had a purpose, raging up and down the notes without ever seeming self-congratulatory or meandering. The drummer’s rough-and-ready rhythms recalled a more disciplined Keith Moon and all backed Grace up with ragged background harmonies that never got too pretty to lose the edge. Their interaction with Potter showed their five years together, stopping and starting as she sang to emphasize her pipes instead of trying to compete with them. No one could overshadow Grace, so this band propels their own brand of funky roots-rock that Grace can wail over.
No crowd could resist this energy. Young and old alike danced into aisles, clapping and waving along like they just got saved at an old-time revival. Anyone who would call this a jam band has never heard the music. Call it soul, call it blues, call it rock and roll, just don’t call it “jam.” Jam bands get teenage hippies twirling ribbons, the Nocturnals get all ages jumping and hollering.

Nothing could match that, so for their encore the band went for a more low-key approach with a soulful cover of Jefferson Airplane’s “White Rabbit.” If no one had thought to compare Potter to Grace Slick, it now became obvious, Potter’s voice being a perfect fit for the psychedelic “Go ask Alice” builds. This was only the icing on the cake though, the cigarette after the sex, a familiar way to wind the crowd back down from the dangerous levels of ecstasy they had reached before sending us back out onto the Brooklyn streets.

Some Kind of Ride
Joey
Mastermind
2:22
Big White Gate
I've Got the Medicine That Everybody Wants
Ah Mary
Stop the Bus
Apologies
If I Was From Paris
Sweet Hands
encore
White Rabbit (Jefferson Airplane)
Labels: Deer Tick, Grace Potter and the Nocturnals, Jones Street Station
2 Comments:
Great review of GPN! Been waiting to read one on NY area show. Couldn't have said it better.
(One thing, not to be picky ...the last song b4 the encore was Sweet Hands, not NBTWater.)
Thanks for the correction!
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